For the most part, the job of road comic or cruise ship comic is perceived to be much more glamorous than it actually is. Like anything else, it isn't exactly what you think it is going to be.
Every now and then, it is exactly what you thought it was going to be. Last night turned into one of those nights.
Comedy is very regional. What is funny at the Stardome in Birmingham, Alabama isn't always also funny at Penguin's in Cedar Rapids and may not be funny at all at the Ice House in Pasadena, California. One of the most important parts of writing an act is to edit. The crowd helps you do this. Take out the jokes they don't laugh at, leave in the one's they do. When you start doing comedy you do it close to home and the crowd helps you write an act that works close to home. As you move around and travel, you learn how to subtly change your act for the places you visit.
The best road comics become citizens of the road and have acts that work everywhere. My buddy Keith Cissel told me about Brian Regan's bit about renting a car in St. Louis and driving to the club, I told him about Brian's bit about Houston Intercontinental. I'm not there yet, but I have performed all over the place and there are certain places where I'm pretty good at endearing myself to the people with a few bits that they believe (and in some cases they are right) were written just for them. When I get to do those bits in those places I always have a little extra spark of confidence onstage. I'm excited that I get to do the joke about the Virginia state flag again and it usually makes for a pretty good show.
This ship, the Fantasy, is out of New Orleans. Lots of southern folk, lots of Louisiana on board. Most of my act was developed while living in Houston and I spent a lot of time working Louisiana so last night I got to do those jokes. Made for pretty good shows. After the show I like to go to the crew bar for a few cheap drinks before I go to bed. I always hope it is a slow, quiet night in the crew bar so I don't have to wait to buy my drinks and I don't have to listen to really loud music while drinking them. Last night was neither slow nor quiet.
There are quite a few musicians employed on cruise ships and they are at various stages of their career. For some of them, it is there first real gig out of school, for others it is the place they end up when they are sick of hustling and living job to job. For a few, it is where they come to hide after divorce or tax problems. A good show band has musicians from all three of these categories. Last night, these guys played a very casual but very smooth jazz/blues/ big band set in the crew bar and it was great. The horns wailed, the drums shook and the strings zinged. I drank Jack on the rocks at $1.50 a shot until I thought the bass drum pedals were under my feet. When they broke into 'Do You Know What it Means' (to miss New Orleans) I looked to the corner of the bar where two Philipino engine room workers were playing a first person shooter video game and I wondered if they got the joke.
I would imagine that no matter how good the music is, being in a show band and playing the same show over and over in your still sweaty from last night tux jacket has to drain part of the musician's soul. Well I'm sure playing whatever the hell you want in the crew bar in jeans and a t-shirt fills it right back up.
tommy on 12.14.07 @ 01:32 PM CST [link] [No Comments]
The midnight show on the last night of the cruise is similar to the late show Friday in a comedy club. If there is a rough night and time to do a show on a ship, that is it. That being said, I have had much tougher shows in clubs than I have ever had on a ship. Last night was work. The show wasn't bad, but I've had lots better. It is funny, I am trying to start up my online journal again and I know what is going to happen. Whenever I used to write that I had a rough night, people that were in the audience inevitably would write me and tell me that it was the best show they ever saw, or that it didn't seem rough at all. First of all, if my show is the best show that you have ever seen, you need to get out more, seriously. My show is fine, but it is definitely a work in progress. See Jake Johansen, Kathleen Madigan, Mark Gross, Dan Gabriel, John Witherspoon, I could go on and on. I'm glad you liked the show. Don't be offended if you were in a crowd that wasn't the best crowd ever, it isn't your fault. I take full responsibility for the success or failure of my performance. You have seen me one time and you liked it. I have been at ever single show I have ever done, so I have something to compare it to. If I didn't like the show last night, it is okay, I have two shows tonight.
I'm not saying I didn't like the show or the crowd last night, I'm saying it was work. I never felt like I built a proper rhythm and I felt if I had another shot at it, I could have done better. I'm in the Miami airport now waiting to get on my flight to Cozumel to board the Fantasy. Two shows tonight, one show tomorrow and I get to fly home from New Orleans. This is my last day of travel into a show on a pretty high stress 7day run, so I am really feeling like I am in the home stretch here.
Some of my comic buddies have been reading my posts and responding. I would recommend that you journal. It doesn't have to be online, it could be private, just write about your day and your show somewhere. If you don't have a show, write about how you don't have a show, go see someone elses show and review it. It is a great way to learn about yourself and believe it or not, a great way to generate new material.
tommy on 12.14.07 @ 01:31 PM CST [link] [No Comments]
Well, I made it through a few nights of little or no sleep and a few days of holiday travel into shows. I had two shows last night on the Carnival Imagination and they went pretty well. The only real effect that fatigue had on me it seemed was that I was leaving out material I planned on doing and going into jokes that I didn't want to do, but the crowds were friendly and I was working with the Fire Gauchos. Their act really wakes up the crowd and gets them going which made my job a lot easier. Also, I was working with one of my favorite cruise directors, Jorge Solano. He was my first CD on and I consider him a friend so I was very comfortable last night.
On the ships we do two different shows, a clean show and a 'dirty' show. It is an interesting thing for a comic to split his act in two. Because on the same cruise you have the same people watching both shows, you can't repeat any jokes. Since I was so tired last night and leaving bits out and doing bits I hadn't planned on doing, I really have to be paying attention tomorrow night when I do my 'dirty' show. I have to create some transitions from bit to bit that I wouldn't normally do and bring back some jokes I haven't done in a while. Now that I am rested, I am actually excited about it. Sometimes you discover things about your act when you do it in a different order that you would have never noticed and often when you bring back older material you find something that you should have never stopped doing.
Because the Fire Gauchos do essentially a circus style dual drum, poi swinging, whip cracking act Carnival doesn't like to have a juggler on the same show as them so I am just doing stand-up out here. I've noticed lately, as effective as my variety act is on the ships, I seem to be more useful and valuable to Carnival as just a stand-up. I'm pretty happy either way.
tommy on 12.14.07 @ 01:30 PM CST [link] [No Comments]